Journal of Digital Humanities and Science Fiction Studies
DHSFS, Vol. 1, No. 1, 2026, pp. 116-127.
Print ISSN: 3105-1278; Online ISSN: 3105-1286
Journal homepage: https://www.dhsfs.com
DOI: Https://doi.org/10.64058/DHSFS.26.1.10
巫术的诗学与技术的逻辑：中非科幻的范式对话及美学启示
马皓哲（Ma Haozhe）
摘要：非洲科幻将“巫术”转化为一种方法论，以“泛科幻”的灵性书写打破技术理性的二元对立，彰显了自身在叙事本体层面重塑技术美学的革命性潜力。但非洲科幻在依赖国际奖项获得认可的同时，也面临叙事被收编的风险，从而丧失原有的批判锋芒。对中国而言，非洲科幻的经验揭示出构建文化主体性的关键不在符号杂糅，而在审美范式的独立生成。非西方科幻真正主体性的确立，关键在于超越文化符号表象，进行触及叙事本体的美学范式革命，从而在争夺未来话语权的场域中确立其不可替代的价值。数智时代的科幻写作，需要在叙事本体层面争夺未来话语权，通过语言、结构与想象力的革新触及普遍的人类境遇。
关键词：非洲科幻；中国科幻；比较文学；后殖民批评；审美自主
作者简介：马皓哲，陕西师范大学文学院中国现当代文学博士研究生，研究方向：科幻文学。电邮：1805531767@qq.com。
Title: Witchcraft’s Poetics and the Logic of Technology: A Sino-African Dialogue in Science Fiction Aesthetics
Abstract: African science fiction transforms “witchcraft” into a methodological device, using the spiritual aesthetics of “pan-science-fiction” to dismantle the binary of technological rationality and to reveal its potential for reshaping the aesthetics of technology at the level of narrative ontology. Yet, even as African science fiction gains recognition through international awards, it simultaneously confronts a form of cultural bribery, whereby its subversive narratives risk being appropriated and commodified as exotic spectacles. For China, the African experience demonstrates that the construction of cultural subjectivity lies not in superficial symbolic hybridity, but in the independent generation of aesthetic paradigms. The establishment of a genuine non-Western subjectivity in science fiction depends on transcending the surface of cultural symbols and initiating an aesthetic paradigm revolution grounded in narrative ontology, thereby securing an irreplaceable position in the contest over future discourse. In the era of digital intelligence, science-fiction writing must contend for this discursive future at the ontological level of narrative, renewing language, structure, and imagination to engage with the universal conditions of human existence.
Keywords: African Science Fiction; Chinese Science Fiction; Comparative Literature; Postcolonial Criticism; Aesthetic Autonomy
Author Biography: Ma Haozhe, Ph.D. candidate in Modern and Contemporary Chinese Literature at the School of Chinese Language and Literature, Shaanxi Normal University. Research Area: Science fiction studies. E-mail: 1805531767@qq.com.
Received: 04 Mar 2026 / Revised: 15 Mar 2026 / Accepted: 09 Apr 2026 / Published online: 30 Apr 2026 / Print published: 30 May 2026.
